Flag Counter Tâi-uân Lâng ê Jîn-tsîng-bī 台灣人的人情味

Tâi-uân Lâng ê Jîn-tsîng-bī *

台灣人的人情味 * The human touch of Taiwanese people

張佑竹

2024-04-22

電腦合成台語語音(Version 5103RE)




Tâi-uân Lâng ê Jîn-tsîng-bī



Kū-li̍k-nî kuè liáu-āu, au-bí, Ji̍t-pún iáu-koh leh lo̍h tuā-seh. Tâi-uân tī a-jia̍t-tài, tshun-thinn sann--gue̍h, tú-hó sī sì-kuè lóng sī hue-phang hâm tsiáu-á-siann ê kuì-tseh. Bē-tsió guā-kok pîng-iú, lī-iōng tshun-ká lâi Tâi-uân tshit-thô. Kóo-too - Tâi-lâm, tiānn-tiānn sī lú-kheh siōng ài lâi ê sóo-tsāi.

Ū-lâng teh mn̄g Tâi-lâm ê tiám-sim-tànn, guá tsha-put-to lóng tsai-iánn. Tshuā In khì tsia̍h tiám-sim ê sî-tsūn, khuànn tio̍h Tōo-sió-gue̍h, kuann-tshâ-pang, hê-kńg, ô-á-tsian, siān-hî-mī tsiah ê hó-tsia̍h-mi̍h, lóng mā o-ló gah ē tak-tsi̍h, sūn-suà koh ke kiám phòng-hong tsit--leh. Nā kóng tio̍h Tâi-uân bîn-iâu, sui-jiân ū-lâng jīn-uî Ú-iā-hue, Bāng-tshun-hong kan-na ē-tàng sǹg-kóng sī tshòng-tsok kua-iâu, tān-sī tshin-tshiūnn Thô-hue kuè-tōo, Tiù-tiù-tâng-á khó-lîng sī tsin-tsiànn ê bîn-iâu hong-bī. M̄-kú guā-kok-lâng nā mn̄g-khí siánn-mih sī Tâi-uân bûn-huà ê sî-tsūn, tsí-hó tshìn-tshái kóng-kóng--leh. Nā ū Lâng tui-kiù Tâi-uân bûn-huà kah Tiong-kok bûn-huà ê tsha-pia̍t tī tó-uī? Lóng mā kóng bē--tshut-lâi. Liân ka-kī mā kám-kak tsin sit-khuì. Kuí-nā kái pháinn-sè liáu-āu, Guá tō kuat-sim beh tuì Tâi-uân-bûn-huà hó-hó-á lâi gián-kiù. bué-āu tsiah huat-hiān, khah-tsá ê Tâi-uân siā-huē, si̍t-tsāi tshiong-buán jîn-tsîng-bī. Kî-si̍t Tâi-uân sian-bîn khai-khiong thok-thóo, āu-tāi kiánn-sun, khik-ho̍k khùn-lân. In tuì-khòng thian-tsai-tē-piàn, ha̍k-si̍p beh án-tsuánn kah tsū-jiân uân-iông tàu-tīn, sóo-í sok-tsō tshut lo̍k-thian tsìn-tshú, kian-jím put-pua̍t kah khuan-iông phiau-phiat ê sìng-keh. In-uī kò-sìng khuan-iông, sóo-í ū-tsîng ū-gī.

Î-bîn ti̍k-pia̍t ū ê tsháu-kin-sìng, tsiànn-tsiànn sī kin-á-ji̍t Tâi-uân tsìng-tī kah king-tsè khai-tián ê guân-tōng-li̍k. Tī tsia guá iōng sì hāng sū-lē lâi piáu-hiān Tâi-uân bûn-huà ê tsing-sîn.

Tē-it-hāng: Tsng-kha-lâng ê han-tsî-á Tâi-uân thóo-tē tsió, lâng koh tsē. Han-tsî nāi-hàn, hó-tsìng koh hó-siu, sī pún-tē-lâng tsú-iàu ê tsok-bu̍t tsi it. Tsi̍t-tè-á han-tsî tsìng lo̍h-tē, ē-tàng senn-tshut kuí-nā tuā tiâu han-tsî. Tē-jī-tshù sè-kài-tāi-tsiàn tsîng-āu, Tâi-uân-lâng tsú-iàu lóng tsia̍h han-tsî tōo sann-tǹg. Han-tsî beh tshue, beh tsú, lóng ē-sái, beh tsìnn, beh hang, mā tsin hó-tsia̍h. Han-tsî-hio̍h-á tsin tshinn, koh ū îng-ióng. Tâi-lâm kuânn--lâng àm-sî-á, tiānn-tiānn thiann tio̍h ū-lâng iōng àng-á pû han-tsî teh bē, phang-gah hōo lí lâu tshuì-nuā.

Tâi-uân-uē kóng "Han-tsî m̄ kiann lo̍h thôo nuā, tsí kiû ki-hio̍h tāi-tāi-thuànn". iōng han-tsî lâi hîng-iông Tâi-uân-lâng tsiânn sin-khóo, kik-ho̍k ok-tsit ê khuân-kíng ê ngē-sìng, sī kî-thann gú-giân hán tit ū--ê. Hit-tsām tsìng han-tsî ê tsò-sit-lâng, lóng ē thiau-kang lâu tsi̍t-kuá han-tsî-á-kiánn khǹg tī tshân--lí bô-tshái-siu. Tsi̍t-kuá tuì siânn-lāi soo-khai lâi tsng-kha siám-phiah khong-si̍p ê sàn-tshiah-lâng tō ē-tàng tōo-kuè sann-tǹg. Bô-tsînn thang tsia̍h sì-siù-á ê gín-á, tsí-iàu kā lông-hōo phah tsi̍t-ē tsio-hoo, tō ē-tàng tiàm tshân--lin khòng-iô. Sūn-suah the̍h tńg-khì hâm tshù-lāi ê lâng tsò-hué tsia̍h.

Tē-jī-hāng: khan koo Kóo-tsá-lâng lia̍h hî, tuì huānn-pinn khiú bāng-á, kiò-tsò "khan-koo". Khiân-liông tsa̍p-tshit-nî, "Tiông-siu Tâi-uân Kuān-tsì" ū kì-tsài¡G"Koo, tn̂g pah-guā tn̄g, khuan, tiūnn, iōng sì gōo-tsa̍p lâng, kà-tsûn nn̄g tsiah, hē koo û hái, lióng-tsûn hun-bán nn̄g-thâu, láng tsì hái-pinn tshián-tsù, tit-hû tsuè-to. bîng uî khan-koo". Tuì tsia ê kuān-tsì tō ē-tàng tsai-iánn tsit-tsióng thuân-thóng lia̍h-hî ê hong-sik, í-king ū kuí-nā pah-nî--ah. King-îng khan-koo ê gia̍p-tsiá ū kuí-nā ê. In tō kiò-tsò "koo-thâu". tsham-ka khiú-koo ah-sī kî-thann tsa̍p-bū ê lâng kiò-tsò "koo-kha". Sóo-lia̍h ê hî-á tshái-iōng pun siàu ê hong-sik. It-puann pun tsò tsa̍p-hūn: koo-thâu tit sì-siânn, tshun--ê tsiah hōo koo-kha khì pun.

Khan-koo tsú-iàu ê siat-pī sī koo-bāng, lám-soh kah tik-pâi-á. Koo-bāng tn̂g tsi̍t-pah-gōo-tsa̍p-siân (gōo-tshioh tú-hó tsi̍t-siân). Bāng-á sī iōng mî-á pian-tsit--ê, bāng-á-pinn ū soh-á soh-tiâu-tiâu. Tíng-kuân ê bāng-á ū tshâ tsò phû-bo̍k, ē-kha ê bāng-á kuà huî-á tsò ê tuī-á. Tsia ê phuè-kiānn hōo koo tī tsuí lāi-té uân-tsuân khai-tián, pòo bāng-á ê sî tō tsin hong-piān. Ta̍k-tang tû-liáu lông-li̍k la̍k-tshit-gue̍h-á thîng-lia̍h í-guā, tshun ê sî-ji̍t lóng ē-tàng khiú-koo.

Kóo-tsá tuà tī hái-kînn ū tsin-tsē lâng kò kan-Koo senn-ua̍h. siàu-liân-lâng ū lia̍t tō khah siū huan-gîng, ū tsi̍t-kuá gia̍p-tsiá tuì bô-i-ua̍h ê lāu-lâng, tsa-bóo-lâng, gín-á mā lóng hōo In kan-koo. In si̍t-tsè kòng-hiàn ê li̍k-liōng tsū-jiân iú-hān, tān-sī mā-sī kong-pênn ê tsi̍t-lâng tsi̍t-hūn. Tsit-tsióng tshiong-buán jîn-tsîng-bī, kiam-kòo si-tsiá kah siū-tsiá tsun-giâm ê thuân-thóng lia̍h-hî ê hong-sik, tsiah-sī tsiok-hó ê siā-huē hok-lī tsè-tōo. Tsit-má in-uī lô-tōng-li̍k put-tsiok, hái-iûnn u-jiám, khan-koo í-king tsiām-tsiām sue-bî--khì--ah

Tē-sann-hāng: I-sing ê āu-bué-mn̂g. Tī-leh tsá-kî, kan-khóo-lâng ê gín-ná, in-uī îng-ióng bô hó, tong-jiân mā-sī koh-khah gâu phuà-pēnn. Ū-pēnn khuànn-i-sing, tō ài khai-tsînn. Tshù-lāi nā bô tsînn, lia̍h tsi̍t tsiah ke, tsah kuá thsài, tsún-tsò tsín-liâu-huì, i-sing ia̍h-sī tsiok huann-hí--ê. M̄-kú tsin-tsiànn sàn-tshiah ê lâng, sann-tǹg to kòo bē-hó, ū pēnn mā m̄-kánn khuànn-i-sing. Ū-ê thé-thiap-ê i-sing. thiau-kang phah-khui āu-bué-mn̂g, hōo bô-tsînn hù i-io̍h-huì ê lâng thau-thau-á tńg--khì. M̄-nā ū tsò i-sing ê pak-tn̂g, mā kòo tio̍h huān-tsiá ê tsū-tsun.

Te-sì-hāng: hōng-tê Tâi-uân sī tsi̍t ê pó-tó, sù-kuì jû-tshun, bu̍t-sán hong-hù, tō tshin-tshiūnn bái-bái ah piàn tsò bí-lē ê thian-gô án-ne, Ji̍t-pún sî-tāi í-tsîng ê Tâi-uân tshiong-buán pīnn-to̍k ê sóo-tsāi, uē-sing khuân-kíng bô hó. M̄-koh hit-tsām khì suann-tē thó-tsia̍h ê lâng, tshuì-ta lim khe-á-tsuí, íng-íng lóng ē tit-tio̍h thuân-jiám-pēnn. Sóo-í tī suann-lōo-pinn, tō ū hó-sim ê lâng thê-kiong tshing-khì ê kún-tsuí hōo kuè-lōo-kheh tsí tshuì-ta. Aū--lâi liâm tsng-kha ê lōo-pinn mā ū hōng-tê ê hong-sio̍k.

Í-siōng tō sī Tâi-uân ti̍k-iú ê jîn-tsîng-bī. Tâi-uân-lâng tiānn-tiānn kóng tsia̍h lâng tsi̍t-tsin, hîng lâng tsi̍t-táu, "siū lâng tih-tsuí, bùn-tsuânn í-pò", tsiànn-tsiànn sī tsit-tsióng tsin-tsiànn siat-sin-tsù-tē thè pa̍t-lâng siūnn ê thuân-thóng hong-sio̍k ê kin-guân. M̄-nā ū luī-sū tsū-huat-sìng ê siā-huē hok-lī, mā huat-hui tsiōng pa̍t-lâng khuànn tsò ka-kī ê tsing-sîn. Tsua̍t-tuì ta̍t-tit lán kong-bîng tsìng-tāi hōo tsuân sè-kài ê lâng lóng tsai-iánn.

Tsit-má ê Tâi-uân siā-huē koh ū guā-tsē thuân-thóng bûn-bîng kah bí-tik--leh? Kuí tsa̍p tang lâi tī kài-giâm-huat ē-khā sing-ua̍h, king-li̍k pe̍h-sik-khióng-pòo kap siû-huí hūn-huí ê kàu-io̍k. Jī-tsù sè-kài tāi-tsiàn liáu-āu ê Tâi-uân-lâng sîng-tsài siunn tsē Tiong-kok-lâng ê hiong-tshiû kah pi-tsîng. Khì hōo lâng niú-khiok ê jîn-sing, koh ē-tàng ho̍k-guân--bē? Guá m̄ tsai-iánn. Tuì Tâi-uân ê bī-lâi Guá ū sann ê ǹg-bāng.

Tē-it kai-tuānn tō tshin-tshiūnn Lé-kì, Lé-ūn-phian sóo thîng-hiān ê tāi-tông sè-kài. Tsìng-tī tshing-bîng, īng lâng uî-tsâi. put-kuán sī ka-kī ê lâng iá-sī huán-tuì lán ê lâng longē-tàng phìn-iōng. Tiâu-iá tsìng-tóng lóng ài tsīn pún-hūn, bô kiû tóng-kok it thé, tsí-iàu Tâi-uân iu-sian. Siā-huē hok-lī uân-siān, tiō sǹg-sī sin-sim tsiòng-gāi-tsiá, mā ē-tàng hōo in huat-tián In ê tsuan-tióng, Jîn tsīn kî tsâi. Kok-tsióng tsu-guân ē-tàng ū-hāu ūn-iōng, thóo-tē tsīn kî-lī, bu̍t tsīn kî-iōng, huè-ūn kau-thong ē-tàng sūn-thiòng.

Tē-jī kai-tuānn, hi-bōng bī-lâi ê Tâi-uân, bô koh khuànn-tio̍h tshia-lōo ê hun-sái ia̍h-sī pun-nn̂g-phoh. Bô-lâng khiâ oo-tóo-bái pàng káu-á lâi kong-hn̂g pàng-sái. Sann-kenn-puànn-mê bô lâng tsông âng-ting. Kok-bîn siú-huat m̄-sī kiann hōo lâng hua̍t-tsînn, mā bô-lâng in-uī bô-lâng khuànn--tio̍h tō uî-kui. kan-ná ū huat-lu̍t si̍t-tsāi bô-kàu, iah-koh tō ài koh ū kong-tik-sim kah tsik-jīm-kám, tsiah ē-tàng kiàn-li̍p kong-lí kah tsìng-gī ê siā-huē. Kok-bîn tō-tik tsuí-tsún tsìn-tsi̍t-pōo thê-sing, tsiah ē-tàng hōo Tâi-uân jîn-bîn kā Tâi-uân khuànn-tsò sī an-sin li̍p-bīng ê sóo-tsāi.

Tē-sann-ê kai-tuānn, guá siūnn beh iōng tsi̍t ê sió kòo-sū tsò pí-jū: Tī-leh kiông-beh kheh-muá-ê thong-khîn tiān-tshia tíng-kuân, ū tsi̍t ê pún-tē-lâng siūnn beh tsē--lo̍h-lâi, tsí-hó tsē-tī tsi̍t-ê phōng-thâu-kàu-bīn, kui-sing-khu lah-sap gah ê liû-lōng-hàn pinn-á. Aū--lâi pinn-á ê lú-kheh lo̍h-tshia, tshut-hiān tsi̍t ê khang-uī, tshia tíng ê lâng-kheh lóng kim-kim-khuànn. Tsit ê pún-tē-lâng lóng bô suá-uī. I uī-tio̍h beh kòo liû-lōng-hàn ê tsū-tsun, kam-guān jím-siū tām-po̍h-á bô sóng-khuài ê kám-kak, siat-sin tshú-tē uī tha-lîn tio̍k-sióng, tsit tsióng thāi-tōo, tō hōo tiān-tshia tshiong-buán jîn-sìng kah un-tsîng.

Ū hó ê kok-bîn, tō ū hó ê siā-huē. Kàu tsit-ê kai-tuānn, guá siong-sìn tō-sǹg-kóng bô ka-ji̍p liân-ha̍p-kok, iu-guân ē siū tio̍h kok-tsè ê tsi-tshî kah tsun-kìng, in-uī Tâi-uân sī ū jîn-sìng ê bûn-bîng kok-ka.


The human touch of Taiwanese people

After the Lunar New Year, it is still snowing heavily in Europe, America and Japan. Taiwan is located in the subtropical zone, and late spring in March is the season when birds are singing and flowers are fragrant. Many foreign friends use spring break to travel to Taiwan, and the ancient capital of Tainan is often a must-stop.

Someone asked me about Tainan snacks, and I know a lot about them. After a feast for the eyes, when faced with Du Xiaoyue, coffin boards, shrimp rolls, oyster omelets, eel noodles, etc., it is inevitable to add fuel and jealousy. If we talk about Taiwanese folk songs, although some people think that Flowers on a Rainy Night and Looking at the Spring Breeze can only be regarded as song creations, the transition between peach blossoms and copper is the real folk flavor. However, when foreigners ask what Taiwanese culture is, they often can only ramble on. If they ask what is the difference between Taiwanese culture and Chinese culture? The answer is unclear, and even I feel ashamed. After several embarrassments, I decided to study Taiwanese culture carefully. Only then did I realize that Taiwanese society in the past was actually full of human touch. In fact, Taiwan's ancestors opened up new territories, and their descendants fought against natural disasters and earth changes and learned how to live in harmony with nature, thus shaping their optimistic, enterprising, persevering and tolerant character. It is precisely because of tolerance that there is love and justice.

The unique grassroots nature of immigration is the driving force behind today’s political and economic development. Here are several short articles that can express the essence of Taiwanese culture.

1. The sweet potato love of farmers. Taiwan's land is narrow and densely populated. Sweet potatoes are drought-resistant, easy to grow and harvest, and are one of the country's main crops. A small piece of potato seed planted on the ground can grow several large sweet potatoes. Before and after World War II, Taiwanese people used this as their staple food. Sweet potatoes should be steamed or boiled, roasted or fried. Potato leaves are delicious and highly nutritious. On winter nights in Tainan, it is common to see roasted sweet potatoes in vats, and the aroma can be smelled for miles around. As the Taiwanese saying goes, "Sweet potatoes are not afraid of falling to the ground and rotting. They just want their branches and leaves to bloom from generation to generation." The use of sweet potatoes symbolizes the Taiwanese people's perseverance and perseverance in the harsh environment, which is rare in other languages. At that time, farmers who planted sweet potatoes often left the sweet potatoes (small sweet potatoes) in the fields without harvesting them. Some poor people who came from the city to the countryside to escape the air raids used it to get food and clothing. Children who don't have money to buy snacks can just say hello to the farmers and collect local materials, then cook them in the kiln and take them back to share with their families.

2. Pull net fishing When ancestors fished, they pulled nets from the shore, which is commonly known as "drawing nets". In the seventeenth year of Qianlong's reign, the "Revision of Taiwan County Chronicles" recorded that "The quail was more than a hundred feet long and wide. It took forty or fifty people to sail two boats and lowered the quail into the sea. It has the most fish and is called Pull net fishing. It can be seen that this traditional fishing method has been around for hundreds of years. The number of people who run the business of Pull net fishing are called "Net-heads", and those who participate in pulling strings or other chores are called "the feet of net". The harvested fish is divided into ten percent, with the Net-heads receiving 40 percent and the remaining fish being divided equally among the feet of net.

The main equipment for pulling net is fishing net, cable and bamboo raft. The silk net is one hundred and fifty Zen long (five feet is one Zen) and is woven with cotton threads. The edge of the net is fixed with ropes. The upper net is filled with wooden driftwood and the lower net is hung with Ceramic pendants. These accessories allow the fishing net to fully expand in the water, which is convenient for laying the net. Hunting is suspended every year except June and July of the lunar calendar. The rest of the day can be used.

In the past, many coastal tribesmen made a living by pull net fishing. The young and strong are welcome, but some business owners are willing to accept the old, weak, women and children who have no support in life. Their actual contribution is naturally limited, but it is fair for everyone. This kind of service is full of humane touch and takes into account both the giver and the recipient. The dignified traditional fishing method is a beautiful social welfare system. Nowadays, due to lack of labor and ocean pollution, it has gradually declined and disappeared.

3. Doctor's back door In the early days, children from poor families were more likely to get sick due to poor nutrition. When they got sick, they had to spend money to see a doctor. If the family has no money, they can catch a chicken and bring some fruits and vegetables to pay for medical treatment. The doctor is still very happy, but the really poor people don't have money, and they don't dare to see a doctor when they're sick. Some considerate doctors deliberately open the back door to let people who can't afford medical bills sneak out. It not only achieves the purpose of practicing medicine, but also maintains the patient's self-esteem.

4. Serve tea Taiwan is a treasure island with spring-like seasons all year round and abundant products. Just like beautiful swans, they were also transformed from ugly crows during the Japanese occupation era.

In the past, Taiwan was a miasmatic land with poor sanitary environment. At that time, mountain climbers often drank water from streams when they were thirsty. There are infectious diseases, so there are kind-hearted people providing clean boiled water beside the mountain road to quench the thirst of hikers. Later, there was also the custom of serving tea on the roadside in the countryside.

The above is the unique human touch of Taiwan. It is often said in Taiwan that eating a liter of people and give them back ten liters of repayment. Receiving a drop of water from someone and repaying it with a spring of water. This is the root of this traditional custom of truly putting oneself in others' shoes. It not only provides similar voluntary social benefits, but also develops a spirit of caring for strangers. It is definitely worthy of our raising our heads and publicizing it to the world.

How much traditional civilization and virtues does Taiwanese society still retain today? Having lived under martial law for decades and experienced white terror and the education of hating bandits and bandits, Taiwanese after World War II have carried too much Chinese nostalgia and sorrow. Can the distorted life be restored? I don't know, but I have three visions for Taiwan's future.

The first stage is the world of great harmony presented in the "Book of Rites - Liyun Chapter". The politics are clear and clear, and people are appointed based on their talents. Don't avoid relatives or enemies when doing promotions. The ruling and opposition parties each do their part and do not seek unity between the party and the country, but only give priority to Taiwan. With perfect social welfare, even people with physical and mental disabilities can be allowed to develop their strengths and make the most of their talents. Resources are used effectively, land is used to its best advantage, materials are put to their best use, and goods flow smoothly.

In the second stage, we hope that in the future Taiwan will no longer see cigarette butts or betel nut residue on the road; no one will ride a motorcycle and take their pets to the park to relieve themselves; and no one will run a red light in the middle of the night. People abide by the law not because they are afraid of being fined, nor because no one sees them. Mere laws are not enough on their own. We must rely on public morality and a sense of responsibility to establish a fair and just society. The further improvement of national moral standards symbolizes that the Taiwanese people regard Formosa as a place to settle down and live their lives.

In the third stage, I will use a short story as a metaphor: On an almost full commuter train, a local had to sit next to an unkempt, dirty homeless man in order to sit down. Later, the passenger next to the local got off the bus and an empty seat appeared. At this time, the passengers opened their eyes and looked at it, but the local was unmoved. In order to take care of the self-esteem of homeless people, he endures a little discomfort and put themselves in others' shoes. In this moment, the tram is filled with humanity and warmth.

If there are good citizens, there will be a good society. At this stage, I believe that even if it does not join the United Nations, it will still win international support and respect, because Taiwan is a civilized country with humanity.


台灣人的人情味

農曆年後,歐美、日本依舊大雪紛飛。台灣地處亞熱帶,暮春三月,卻是鳥語花香的季節, 不少外國朋友,利用春假到台灣旅遊,古都台南,常是必經之地。

有人問起台南小吃,我知之甚詳。一飽口福之際,面對度小月,棺材板,蝦卷,蚵仔煎,鱔魚麵等口沫橫飛之際,難免加油添醋一番。 若是談起台灣民謠,雖然有人認為雨夜花,望春風只能算是創作歌謠,但是桃花過渡,銩銩銅可是真正的民謠風味。不過外國人問起,什麼是台灣文化時,往往只能東扯西扯,若是人家追究台灣文化和中國文化的差別在哪? 回答得不清不楚,連自己都覺得汗顏。幾度尷尬之餘,決心對台灣文化好好研究,這才發現,從前的台灣社會,竟是充滿人情味。其實台灣先民開疆拓土,後代子孫,披荊斬蕀,他們對抗天災地變,學習如何與自然圓融相處,因此塑造樂天進取堅忍不拔和寬容飄瞥的性格。 正因為寬容,所以有情有義。

移民特有的草根性,正是今日政經開展的原動力。這裡有數則短文,可以表現台灣文化的精髓。

一、庄腳人的蕃藷仔 台灣地狹人稠,甘藷耐旱,易種易收,是本土的主要作物之一。一小塊藷種落地,可以長出好幾大條蕃藷。二次大戰前後,台灣人以此為主食。蕃藷宜蒸宜煮,可烤可炸。藷葉鮮美,極富營養。台南冬夜,常見甕烤甘藷,香聞數里。

臺灣話「甘藷毋驚落土爛,只求枝葉代代綻」。用甘藷象徵台灣人篳路藍縷,不屈於惡劣環境的堅韌個性,是其他語言少有的。當時種蕃藷的農家,多會留蕃藷仔(小的蕃藷),在田裡而不採收。一些從城裡來鄉下躲避空襲的窮人,藉此裹腹獲得溫飽。沒錢買零食的小孩、只要向農戶打個招呼,就地取材,便可爌窯,帶回與家人分享。

二、牽罟 先民捕魚,從岸邊拉網,俗稱「牽罟」。乾隆十七年,「重修台灣縣志」記載,「罟長百餘丈,寬丈,用四五十人,駕船兩隻,下罟於海,兩船分挽兩頭,攏至海邊淺處,得魚最多,名曰牽罟」。可知這種傳統捕魚方式,已歷數百年。經營牽罟的業者數人,稱為「罟頭」,參與拉罟或其他雜務者稱為「罟腳」。所得魚獲採分帳制,一般分成十分,罟頭得四成,其餘由罟腳均分。

牽罟的主要設備是罟網,纜繩和竹筏。罟網長一百五十禪(五尺為一禪),用棉線編織而成,網緣有繩索牢固,上邊網裝木製浮木,下邊網掛的陶瓷墜子。這些配件使罟在水裡充分開展,利於佈網。每年除了農曆六七月停捕。其餘時日均可拉罟。

昔日濱海部落居民以牽罟為生者頗多。年輕力壯者固受歡迎,部分業者對生活無依的老弱婦孺也來者不拒,他們實際貢獻的力量自然有限,但也是公平的一人一份,這種充滿人情味,兼顧施與受者尊嚴的傳統捕魚方式,才是美好的社會福利制度。如今因勞力不足,海洋污染,已漸式微消失。

三、醫生的後門 在早期,貧苦人家的小孩,由於營養不好,當然更容易生病,生病看醫生,就得花錢。 家裡沒錢的,抓一隻雞,帶些蔬果,充作診療費,醫生還是很高興,但真正貧窮的人,三餐不繼,有病也不敢看醫生,有些體貼的醫生故意打開後門,讓付不起醫藥費的人偷偷溜走。不但達到行醫的目的,也維持病人的自尊。

四、奉茶 台灣是個寶島,四季如春,物產豐饒,就像美麗的天鵝也是醜小鴉變成的,日據時代 以前的台灣,是個瘴癘之地,衛生環境不佳,而那時爬山的人,口渴了喝溪水,往往容易 得到傳染病,所以在山路旁,就有善心的人提供乾淨的開水讓登山客解渴。後來連鄉間的路邊也有奉茶的習俗。

以上就是台灣特有的人情味。台灣常說,吃人一升,還人一斗,受人滴水,湧泉以報,正是這種真正設身處地為別人著想的傳統習俗的根源。不但有類似自發性的社會福利,也發揮了人饑己饑、人溺己溺的精神,絕對值得咱們抬頭挺胸宣揚給全世界的人知道。

現在的台灣社會還保有多少傳統文明和美德呢? 幾十年來在戒嚴法下生活,經歷白色恐怖和仇匪恨匪的教育,二次大戰後的台灣人承載了太多中國人的鄉愁與悲戚,被扭曲的人生,還能復原嗎? 我不知道,對於台灣的未來卻有三個願景。

第一階段如<禮記-禮運篇>所呈現的大同世界。政治清明,用人惟才。內舉不避親,外舉不避仇。朝野政黨各盡其分,不求黨國一體,只要台灣優先。社會福利完善,即使是身心障礙者,也能讓他們發展所長,人盡其才。資源有效運用,地盡其利,物盡其用,貨暢其流。

第二階段,希望未來的台灣,不再看到馬路上的煙蒂或檳榔渣;沒有人騎摩托車帶著寵物到公園大小便;三更半夜不闖紅燈。國民守法不是怕被罰錢,也不因沒人看見就違規。徒法不足以自行,還得靠公德心與責任感,才能建立公理與正義的社會。國民道德水準進一步的提昇,象徵台灣人民將福爾摩沙視為安身立命之所在。

第三階段,我要用一個小故事作為比喻:在幾乎客滿的通勤電車上,有個本地人為了坐下來,只好坐在一個蓬頭垢面,全身污穢不堪的流浪漢旁邊。後來旁邊的旅客下車,出現一個空位,這時乘客都睜大眼睛在看,本地人卻不為所動。台灣人為了顧及流浪漢的自尊,忍受一點點不舒服的感覺,設身處地為他人著想,這一瞬間,就讓電車裡充滿人性與溫情。

有好的國民,就有好的社會。到了這個階段,我相信就算沒有加入聯合國,依然會贏得國際的支持與尊敬,因為台灣是有人性的文明國家。



[
正進行計畫 | 回主畫面 | 已發表論文 | 台語語音筆記本 | 台語作品 ]


This website is sponsored by VIKON Corp.
Copyright July 1996. All rights reserved.

Last update : 2024-04-22
有什麼建議嗎 ? 來信請寄:   vikontony@gmail.com